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W.A.S.P.

W.A.S.P. is an American heavy metal band formed in 1982. They emerged from the early 1980s Los Angeles heavy metal scene. The band's popularity peaked that decade, yet they continue to record and tour, making them one of the most enduring of the West Coast heavy metal bands. W.A.S.P. gained notoriety for their shock rock-themed image, lyrics and live performances. They are estimated to have sold over twelve million records worldwide,[7] with their first two albums, W.A.S.P. [1984] and The Last Command [1985], being certified as gold by the RIAA.[8]

W.A.S.P. was a prominent target in the mid-1980s of the Parents Music Resource Center [PMRC], an organization that pushed for warning labels on recorded music. The band immortalized its fight with the PMRC on the song "Harder, Faster" from their 1987 live album, Live...In the Raw. Their most well-known songs include "Animal [Fuck Like a Beast]", "I Wanna Be Somebody", "L.O.V.E. Machine", "Wild Child", "Blind in Texas", "Forever Free", "Mean Man", "Chainsaw Charlie [Murders in the New Morgue]" and "The Idol", as well as their cover versions of Ray Charles' "I Don't Need No Doctor" and The Who's "The Real Me". The band's most recent album, Golgotha, was released in 2015 and they have reportedly been working on new material.[9][10][11]

History[edit]

Early years and rise to fame [1982–1985][edit]

Circus Circus 1979–1980: Joey Palermo, Blackie Lawless, Jimi Image and Randy Piper

W.A.S.P. began following the demise of Circus Circus, a Los Angeles-based band featuring Blackie Lawless and Randy Piper. The original lineup of W.A.S.P. was formed in Los Angeles, California, in 1982 by Lawless, Piper, Rik Fox, and Tony Richards. The band became notorious for its raunchy and, at times, shocking live shows. Lawless was known to tie semi-naked models to a torture rack, and to also hurl raw meat into the audience.[12] The band's debut single, entitled "Animal [Fuck Like A Beast]", and its cover were equally controversial.[12]

The first lineup did not last for long, as Rik Fox was let go and went on to join the band Steeler with vocalist Ron Keel and guitarist Yngwie Malmsteen. He was replaced by Don Costa, the bassist in Richards' former band, Dante Fox [which later evolved into Great White]. Shortly afterward, Costa also left the band and his position on the bass was filled by Brayden Parker. At the same time, guitarist Chris Holmes joined the band.

W.A.S.P. signed to Capitol Records for their debut album, W.A.S.P., released on August 17, 1984.[12] The debut was at one time planned for release with the title Winged Assassins. The band's first single "Animal [Fuck Like a Beast]" was omitted from the album in the United States to prevent it from being banned from major chain stores.[12] W.A.S.P. was accompanied by the band's first world tour, performing with numerous bands such as Kiss,[13] Iron Maiden,[14] Metallica,[15] Dokken,[13] Krokus,[16] Helix,[16] Quiet Riot,[17] and Armored Saint.[15]

Shortly afterwards, the band made an appearance in the 1984 film The Dungeonmaster and on the soundtrack to Ghost Warrior with the song "Tormentor".

"L.O.V.E. Machine" and "I Wanna Be Somebody" helped the album sell, and set the band up for "Blind In Texas", a song written in St. Paul, Minnesota, by Lawless. The song was released on their next album The Last Command in September 1985.[12] The Last Command remains W.A.S.P.'s highest-charting album, peaking at No. 47 on the Billboard album chart. "Blind in Texas" is perhaps their best known song, more than three decades after its release.[12] The Last Command was also the first album with new drummer Steve Riley [formerly of Keel],[12] who had replaced Richards at the beginning of the 1984-1985 tour. W.A.S.P. supported the album by participating in two arena tours, first opening for Kiss on their Asylum tour,[18] and then, along with Anthrax, they supported Black Sabbath on their Seventh Star tour.[19]

After The Last Command tour, Piper departed the band.[12] Former King Kobra bassist Johnny Rod joined W.A.S.P. as Lawless went back to playing rhythm guitar.[12] Around this time, W.A.S.P. became a very prominent target of the Parents Music Resource Center [PMRC],[12] an organization led by Tipper Gore and dedicated to opposing music with lyrics deemed violent or overtly sexual in content. This lowered the band's reputation to such a degree that concert halls were getting bomb threats, band members were receiving death threats by the hundreds, and Lawless was shot at twice [though not hit]. The controversy generated valuable publicity for the band.[1]

Mainstream success [1986–1989][edit]

With the lineup changes made, they recorded their third album, titled Inside the Electric Circus.[12] It was released in October 1986,[12] and a near year-long world tour in support of the album followed, including supporting Iron Maiden on their Somewhere in Time tour in Europe,[20] and a headlining North American tour with Slayer, Raven and Saxon.[21] Inside the Electric Circus received a mixed reaction from the music press: it was considered a big hit with W.A.S.P. fans, while critics, on the other hand, dismissed it as "7th-grader rock".[citation needed] Songs like "Shoot From The Hip" and the minor hit single "95-N.A.S.T.Y." helped the band live up to the reputation of one of the possible meanings of their band name, "We Are Sexual Perverts". However, Blackie Lawless himself, known to be a harsh critic of his own work, cited in the album's re-release liner notes that Inside the Electric Circus was "[a] tired record by a tired band." Ultimately it was an unfavorable critical review of the single "95-N.A.S.T.Y." that convinced Lawless to take some time off and reconsider the band's creative direction.

In 1987, W.A.S.P. had their song "Scream Until You Like It" included on the soundtrack of the movie Ghoulies 2. The same year, a few dates during the Inside the Electric Circus tour were recorded and on November 27, 1987, the Long Beach arena concert was released as the Live...In the Raw album.[12] By this time, Riley had left W.A.S.P. to join L.A. Guns, and was replaced by local drummer Chad Nelson.[12] Eighteen-year-old Glenn Soderling, who had recorded an album in 1983 with the band Pandemonium,[22] then joined the band,[23] but did not play any shows due to Holmes' illness.[23] Soderling left during rehearsals[24] and was replaced by Kelly Martella for their Donington appearance and a Top of the Pops performance of "Scream Until You Like It" on BBC.[25] Martella went on to join the band Silent Rage [Simmons Records] in 1988. Soderling later surfaced under the name "Tripp Holland" in the band Engines of Aggression[26] with former Tomorrow's Child members Rik Schaffer and Craig Dollinger,[27] and is currently making music for TV shows as staff writer with Supersonic Noise.[28]

W.A.S.P.'s fourth studio album, The Headless Children, was released on April 15, 1989, and was their first album without any overtly sexually explicit songs.[12] The album reached the band's highest chart position with No. 48[29] on the Billboard 200 before falling off the charts in 13 weeks. However, it was W.A.S.P.'s most critically acclaimed work up to that point and, according to a recent Lawless interview,[citation needed] it is now the highest-selling W.A.S.P. album to date. The drumming duties for the album were handled by former Quiet Riot drummer Frankie Banali.[12] It features two of the band's most highly acclaimed songs, the power ballad "Forever Free" and a cover of The Who's "The Real Me". W.A.S.P. went on tour in the United States with Accept and Metal Church to support The Headless Children, playing at smaller venues such as clubs and theaters, as opposed to the arenas and stadiums that had propelled the band into success.[30]

Post-Chris Holmes period [1989–1995][edit]

Chris Holmes left the band in August 1989, stating that he wanted to "have fun, you know." Lawless responded with a caustic remark about the fact that "some guys want to stay at home and wear aprons," hinting at the nature of Chris Holmes' relationship with his new wife Lita Ford. The band effectively disbanded a few months later, with Blackie Lawless embarking on a short lived solo career.[12] Lawless was originally slated to play the T-1000 terminator in the movie Terminator 2: Judgment Day, but was later replaced by Robert Patrick after Arnold Schwarzenegger deemed Lawless "too tall" [1.93m].[31] Blackie commenced work on his solo project, but under pressure from both promoters and fans, he released it as a W.A.S.P. album. Ironically, many critics feel that the resulting concept album, The Crimson Idol, has been the best W.A.S.P. output so far.[citation needed]

The follow-up to The Crimson Idol was Still Not Black Enough [1995], a collection of dark, introspective tunes that extended the Crimson Idol mythology.[12] This time, rather than "hiding behind" alter ego Jonathan Steele, Lawless spoke directly to the audience about his own feelings [as stated in the liner notes]. While the album lacked the cohesiveness of its predecessor, the lyrics still explored similar topics to Crimson Idol: being an outcast and misfit, the pressures of fame and society, and the search for love. Still Not Black Enough also included cover songs as "bonus tracks". The initial European edition included a different track listing from the American version and a subsequent American re-issue featured yet a different track listing. No version to date includes all the various tracks on one disc.

Reunion with Chris Holmes [1996–2001][edit]

Chris Holmes returned to W.A.S.P. in 1996 and together they released Kill.Fuck.Die [1997] and Helldorado [1999].[12] They also recorded two live albums from these tours, Double Live Assassins and The Sting respectively. The Sting CD and DVD were taken directly from an experimental webcast that Lawless claims to have had no control over. This release angered him as he was unhappy with the sound and picture quality.

The band continued with the album Unholy Terror in 2001. Chris Holmes left the band once again in 2001, stating that he wanted to "play the blues". He hooked up with fellow ex-W.A.S.P. member Randy Piper's band Animal, but soon dropped out of that project also. Holmes, for his part, has claimed he never played on Unholy Terror.[32]

Dying for the World and the Neon God albums [2002–2005][edit]

Dying for the World, released in 2002, was written and recorded in less than a year which is very fast by Lawless' perfectionist standards. Its liner notes feature one of Lawless' strongest statements about political correctness, inspired by the 9/11 terrorist attacks.

In April 2004, W.A.S.P. released the first part of The Neon God, subtitled The Rise, a conceptual album about an abused and orphaned boy who finds that he has the ability to read and manipulate people. The second part, The Demise, was released in September 2004.

In 2005, W.A.S.P. headlined American Metal Blast. A video shoot for the track "Never Say Die" was planned with Ward Boult, a fetish photographer, directing. To this day, there has been no news as to whether the shoot resulted in anything concrete. It would have been the first W.A.S.P. promo video in ten years, the last being 1995's "Black Forever".

Dominator and Babylon [2006–2014][edit]

W.A.S.P. performing live in Stavanger, Norway, in 2006

Early 2006 saw the seemingly stable lineup fall apart. Long-time session and tour drummer Stet Howland left first [on amicable terms], promising more specific information about the reasons for the split to be posted on his website. Larry Howe of Vicious Rumors was considered as a replacement. In May, the departure of guitarist Darrell Roberts, who went on to join the band Five Finger Death Punch, was announced and new guitar player Mark Zavon was brought in several days before the first tour date. The same press release confirmed Mike Dupke, and not Howe, would be the new drummer. Furthermore, two days later, Zavon was out of the picture as well, seeing Doug Blair step in on guitar.

A new album, Dominator was planned for release in October 2006, according to a statement made by Blackie Lawless at a tour stop in Kavarna. He then went on to play a new song from the album, entitled Mercy. A few weeks later, the release of the album was postponed until April 2007, with the band recording two news songs and dropping two cover songs, to be used instead as bonus tracks. In October 2007, W.A.S.P. embarked on The Crimson Idol Tour, to celebrate that album's 15th anniversary. It was the first time that the album, often regarded to be among the band's finest work, was performed in full from start to finish. The tour kicked off in Greece, in Thessaloniki at the Principal Club Theater on October 26, 2007.

The release of the Dominator album was finalized for April 16 in the UK, April 20 in Scandinavia with the rest of mainland Europe following on April 27. The release dates for South America and Russia followed in early May.

Dominator reached No. 72 on the charts in Germany.[33]

W.A.S.P. canceled their North American tour due to their record label's loss of a distributor.[citation needed] They were going to finish up their shows in Europe and then reschedule their shows in the United States. They were unable to finish the shows in Europe because of a "family illness that needed immediate attention" which forced the band to return to Los Angeles right away. They were originally going to perform at Rocklahoma. As the tour was canceled, W.A.S.P. was not able to perform at Rocklahoma and was replaced by Queensrÿche.

W.A.S.P. announced a European tour which included dates in Scotland, England and other places throughout Europe in late October 2007.

W.A.S.P. released their fourteenth studio album, entitled Babylon in late 2009, via Demolition Records.

Shortly after the release of Babylon, Blackie Lawless declared that he was never going to play the song "Animal [Fuck Like A Beast]" live again, due to his religious beliefs.[34] These beliefs are what have allegedly been behind Blackie Lawless' self-censorship of his own lyrics during the "Babylon World Tour", most notably during the performance of "Chainsaw Charlie [Murders In The New Morgue]".

On The Beast of Babylon Tour, Blackie canceled two shows within a week of each other. The first cancellation came about at the Gramercy Theater in New York City after the band discovered that the venue had been selling V.I.P. meet and greet tickets for twice the amount of the general admission price. The band made a statement claiming, "We have never charged a fan for an autograph and will never charge any fans for an autograph."[35] The second cancellation occurred when the Crocodile Rock venue in Allentown, Pennsylvania wanted 50% of all of the band's profit, according to Lawless.

On September 21, 2012, the band celebrated the 30th anniversary of their first ever live show by kicking off a world tour at The Forum in London. The set for the tour was split into three sections: songs from the first four albums, a cut-down rendition of the Crimson Idol performance and a final segment for newer material.[36]

Golgotha, 25th anniversary of The Crimson Idol and next album [2015–present][edit]

W.A.S.P.'s fifteenth studio album, Golgotha, was released on October 2, 2015.[37] The album took four years to materialize.[38]

W.A.S.P. toured in 2017 to commemorate the 25th anniversary of the release of The Crimson Idol. To coincide with this anniversary, the band released Reidolized [The Soundtrack to the Crimson Idol] on February 2, 2018, which came with the original The Crimson Idol movie on DVD and Blu-ray, and includes six tracks that were originally intended to be part of the original version of the album.[39]

In December 2017, it was reported that W.A.S.P. had been working on new material for the follow-up to Golgotha.[9] No news on the album had surfaced for more than three years, until December 2020 when Loudwire listed it as one of the 88 "Most Anticipated Rock + Metal Albums" of 2021.[10] Progress on a new album had continued to be slow by January 2022, when frontman Blackie Lawless stated in an interview with Eddie Trunk that the band has "quite a bit of material that [they've] been working on diligently actually."[11]

Former W.A.S.P. drummer Frankie Banali died of pancreatic cancer on August 20, 2020,[40] making him the second deceased member of The Crimson Idol-era lineup, following Bob Kulick who had died three months earlier.[41]

In late October 2021, it was announced that W.A.S.P. would embark on a world tour in 2022, celebrating the 40th anniversary of the band. The European tour, however, was postponed and rescheduled to spring 2023 due to the ongoing pandemic situation in Europe,[42] including the shows in Russia in May.[43] But keeping their first North American tour in over a decade from October to December, with support from Armored Saint, and on selected dates, Michael Schenker.[44]

Band name meaning[edit]

There has been much speculation over the origin of the band's name, and whether it actually stands for anything, since it is written as an acronym. One possible interpretation is "White Anglo-Saxon Protestants", being the original meaning of the acronym. The song "Show No Mercy", the B-side of the band's first single "Animal", contains the repeated lyric, "White Anglo-Saxon / A violent reaction".

The original U.S. release of the band's debut album W.A.S.P. had the words "We Are Sexual Perverts" inscribed on both sides around the label in the center, while "Winged Assassins" is inscribed on the spine of the first vinyl pressing. When asked about the band's name, Lawless has avoided giving a straight answer. In one interview he answered, "We Ain't Sure, Pal."[45]

In a February 2010 interview, Lawless stated the main reason for the name was the periods. He claimed no band had ever used them before [although R.E.M. formed two years earlier] and, in essence, the periods created a "question mark of uncertainty" to make W.A.S.P. stand out more. He then went on to say, "Look where we are: it did!"[46]

In an interview published on YouTube in 2020, former bassist Rik Fox explained that the name came about after an incident outside Lawless' home, in which Fox happened across a hornet and tried to kill it before it could sting him.[47] The sight of the insect's throbbing stinger brought to mind the image of the Green Hornet logo. According to Fox, this happened while the band was still under the moniker of "Sister" and Lawless was looking for a new name. When Fox explained what happened to Lawless, the band's leader liked the idea and ultimately adopted it. Fox's story has been corroborated by former guitarist Randy Piper, who while agreeing with him, did acknowledge Lawless as being the one who came up with the idea of the band's name being written as an acronym.[48]

Members[edit]

Frontman Blackie Lawless, 2014

Current members

• Blackie Lawless – lead vocals, rhythm guitar, bass, keyboards, percussion [1982–present]
• Mike Duda – bass, backing vocals [1995–present]
• Doug Blair – lead guitar, backing vocals [2006–present; touring 1992 and 2001]
• Aquiles Priester – drums [2017–present]

Discography[edit]

• W.A.S.P. [1984]
• The Last Command [1985]
• Inside the Electric Circus [1986]
• The Headless Children [1989]
• The Crimson Idol [1992]
• Still Not Black Enough [1995]
• Kill Fuck Die [1997]
• Helldorado [1999]
• Unholy Terror [2001]
• Dying for the World [2002]
• The Neon God: Part 1 – The Rise [2004]
• The Neon God: Part 2 – The Demise [2004]
• Dominator [2007]
• Babylon [2009]
• Golgotha [2015]
• Reidolized: The Soundtrack to The Crimson Idol [2018]

Tours[edit]

1. Sister 1976–1980
2. Early Shows 1982–1983
3. Winged Assassins Tour 1984–1985
4. Last Command Tour 1985–1986
5. Inside the Electric Circus Tour 1986–1987
6. The Headless Children Tour 1989
7. The Crimson Idol Tour 1992
8. Kill.Fuck.Die. World Tour 1996–1998
9. Helldorado World Tour 1999–2000
10. Unholy Terror Tour 2001
11. The Neon God World Tour 2004
12. Tour 2005–2006
13. The Crimson Idol Tour 2007–2008
14. Sonic & Bloody Massacre Tour 2009
15. Beast of Babylon World Tour 2009–2010
16. Return to Babylon Tour 2010–2011
17. 30 Years of Thunder World Tour 2012
18. The Bloody Road to Golgotha 2015
19. The Crimson Idol 25th Anniversary Tour 2017
20. The Animal Returns 2019
21. 40 Years World Tour 2022

References[edit]

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5. ^ Roos, John [July 14, 1997]. "W.A.S.P.'s 'Shock' Rock Sting Has Lost Its Point". Los Angeles Times. Archived from the original on October 5, 2016.
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External links[edit]

Wikimedia Commons has media related to W.A.S.P..

• Official website
• W.A.S.P. at AllMusic
• Blackie Lawless interview, Sleaze Roxx, 2010
• Blackie Lawless interview, TheyWillRockYou.com, 2010
• Blackie Lawless interview [videos], ankh.tv, 2020

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Các subgenres của kim loại nặng là hài hước. Các bài hát tình yêu trong bối cảnh kim loại nặng đưa balladry lên một cấp độ khác. Thưởng thức một buổi giới thiệu các bài hát tình yêu kim loại hay nhất và những bản ballad kim loại.

Khi Heavy Metal là tên của trò chơi, những gì xuất hiện trong tâm trí là một âm thanh đặc trưng khó khăn. Tuy nhiên, có bản balladic u uất liên quan đến kim loại đưa người nghe vào một chuyến đi sân khấu của những giấc mơ và hình ảnh. Những bản ballad kim loại đã được phổ biến trong các vòng tròn kim loại nặng trong một thời gian dài, tuy nhiên, các bài hát tình yêu kim loại đã không được đưa vào chủ đạo, và đó là những gì mang lại cho bản ballad kim loại và các bài hát tình yêu kim loại của họ.

Mặc dù bản balladry thường gắn liền với tình yêu, nhưng nó không phải là như vậy. Có những bài hát tình yêu kim loại nói một ngôn ngữ khác của tình yêu thông qua những câu chuyện về các chiến binh, pháp sư và quỷ. Những âm thanh hoành tráng và môi trường thanh tao được tạo ra bởi các bài hát tình yêu kim loại và những bản ballad kim loại quyến rũ tâm trí và trái tim của người nghe. Khi bạn ngồi trong im lặng nghe một bản ballad kim loại, bạn sẽ nhận ra, có vẻ đẹp trong sự u sầu hạnh phúc. Các chủ đề của tình yêu trong kim loại nặng rất đa dạng, và khía cạnh này mang đến cho bản balladry ý nghĩa mới trong các bài hát tình yêu kim loại.

The themes of love in heavy metal are diverse, and this aspect gives balladry new meaning in metal love songs.

Các chủ đề cổ xưa như thần thoại và văn hóa dân gian được thể hiện thẩm mỹ trong những bản ballad kim loại. Sự nhạy cảm du dương của bản balladic âm thanh được kết hợp trong các cõi kim loại nặng mang đến cho các bài hát tình yêu kim loại của họ âm thanh đặc trưng của họ. Một nhãn hiệu của các bài hát tình yêu kim loại là giọng hát cao. Thay đổi cao độ trong việc phân phối giọng hát là phổ biến trong các bài hát tình yêu kim loại; Điều này là do các yếu tố theo chủ đề trong các bài hát tình yêu kim loại và những bản ballad. Interludes acoustic và với cảm giác giao hưởng là phổ biến trong bản ballady kim loại nặng. Lời bài hát trong bản ballad kim loại kể những câu chuyện về những câu chuyện thần thoại và văn hóa dân gian. Giọng hát đăng ký cao hoạt động trong các bản ballad kim loại cùng với các bộ phận guitar và các phần piano được xen kẽ theo chủ đề của lời bài hát.

Trong khi nhiều phụ kim loại nặng đã đóng góp cho việc giới thiệu các bài hát tình yêu kim loại trong ánh sáng mới, thì đó là thể loại kim loại sức mạnh có những bản ballad kim loại về mặt thẩm mỹ lên một tầm cao mới. Các ban nhạc kim loại Power được biết đến với các bài hát và bản ballad kim loại rõ ràng của họ. Mỗi ban nhạc kim loại nặng, cách tiếp cận với những bản ballad đều khác nhau về mặt sân khấu và đó là lý do âm thanh của những bản ballad trong cõi kim loại là rộng rãi. Dùng sâu trong danh sách các bài hát tình yêu kim loại hay nhất và những bản ballad kim loại.

100 bài hát tình yêu kim loại tuyệt vời nhất và những bản ballad kim loại

1. Helloween- một câu chuyện không đúng
2. Gamma Ray- Hồ nước mắt
3. Manowar- Master of the Wind
4. Stratovarious- Mãi mãi
5. Người bảo vệ mù- Bài hát Bard Bard [trong rừng]
6. Axel Rudi Pell- đại dương của thời gian
7. Judas Priest- trước bình minh
8. Sonata Arctica- Tallulah
9. Hammerfall- luôn luôn
10. Nhà hát mơ ước- Một ngày khác
11. Riot- chạy trốn
12. Kế hoạch tổng thể- hy vọng và ước mơ
13. Edguy- vùng đất của phép màu
14. Hùng vĩ- sự sung sướng của Canaan
15. Di chúc- Quay trở lại thanh thản
16. Rhapsody- Sự kỳ diệu của giấc mơ phù thủy
17. Tại Vance- công chúa của đêm
18. Dream Evil- Mất bạn
19. Cơn thịnh nộ- Sau khi kết thúc
20. Yngwie malmsteen- mơ [nói với tôi]
21. Epica- mặt đất đơn độc
22. Stormwind- sông của tình yêu
23. Nemesis- mưa
24. Kamelot- Một bài thánh ca đi thuyền buồm
25. Derdian- mãi mãi
26. Luca Turilli- Mặt trăng bạc
27. Pathfinder- Những giấc mơ chưa được khám phá
28. Cain sườn cung cấp- vào màu xanh
29. Symphony x- Sự hy sinh
30. Lacrimosa- Không phải mọi cơn đau đều đau
31. Warcry- nana
32. Đôn vật hỏa táng- Gương
33. Rhapsody của lửa- con trai đau đớn
34. Kaledon- Tạm biệt bạn của tôi
35. Chấp nhận- Những giấc mơ mùa đông
36. ONG VÒ VẼ. - Mãi mãi miễn phí
37. Vinh quang vùng cao- Sự hy sinh
38. Avantasia- bất cứ nơi nào
39. Iced Earth- Tôi đã chết vì bạn
40. Grave Digger- Bản ballad của Mary [Nữ hoàng Scots]
41. Trong cám dỗ- bài hát thiên nga
42. Virgin Steele -child of Desolation
43. Kotipelto- vẻ đẹp đã đến
44. Dragonforce- Dawn On A New World
45. Tiamat- Gaia
46. Rồng- mãi mãi đi bộ một mình
47. Metallica- Không có gì khác quan trọng
48. Thiên đường-… bụi đến bụi
49. Angra- Đêm mưa
50. Dark Moor- âm thanh của lưỡi kiếm
51. Nhà hát bi kịch- Cassandra
52. Những câu chuyện bị lãng quên- tâm hồn tôi
53. Bonfire- Tại sao nó không bao giờ đủ
54. Vương quốc ma thuật- một mặt trời khác
55. Karelia- gọi lên
56. Bị kết án- dòng vàng của Lapland
57. Labyrinth- mưa rơi
58. Epica- feint
59. Throne of Chaos- lý do để trở thành
60. Falconer- Cổng thông tin ánh sáng
61. Nhiệm vụ quyền lực- Khi tôi đã biến mất
62. Kenziner- như một thiên đường
63. Therion- còi báo động của khu rừng
64. Enisferum- Nước mắt
65. Tội ác- Gọi mưa
66. Dawn of Destiny- Bạn đang ở đâu bây giờ
67. Cuộc cách mạng Phục hưng- Giữ ngọn lửa sống
68. Demons & Wizards- Fiddler on the Green
69. Nightwish- đi bộ trên không
70. Sau mãi mãi- cô đơn
71. Dreamtale- Gương
72. Kapel Maister- Người giữ trái tim tôi
73. Ravenheart- trong ký ức
74. Highlord- bạn sẽ không bao giờ cô đơn
75. Lunatica- Sức mạnh của tình yêu
76. Tối cao Majesty- Một lời hứa nữa
77. After Forever- những kỷ niệm trống rỗng
78. Dionysus- Mãi mãi
79. Mặt nạ sắt- Ngọn lửa vĩnh cửu của tôi
80. Narnia- Long Live the King
81. Edenbridge- mãi mãi tỏa sáng
82. Sợ hãi nguyên thủy- chảy máu cho tôi
83. Domine- mãi mãi
84. Secret Sphere- seren
85. Iron Fire- Angel of Light
86. Amorphis- tuonela
87. SoulSpell- hơi quá xa
88. Hoàng thượng- Trái tim tự do
89. Skylark- Chờ đợi công chúa
90. Tầm nhìn của Atlantis- Winterlight
91. Meduza- trong cái chết
92. Bàn thờ- mắt ngọc lục bảo
93. Circus Savage- Ballad of Susan
94. Delirion- ánh sáng của đôi mắt của bạn
95. Các hiệp sĩ thánh- tình yêu chống lại sức mạnh của cái ác
96. Silverlane- bất cứ điều gì
97. Avalanch- vang vọng của một cuộc sống
98. Silent Fall- Một đêm mùa đông lạnh lẽo
99. Dawn Dawn- sinh của đàn hạc
100. Gwyllion- Angelheart

Hãy cho chúng tôi biết bạn thích bài viết này như thế nào. Thích nó và đánh giá nó dưới đây.

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